Bastardo

By George Heritier & Putnam Weekley




 

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Catherine & Pierre Breton Bourghueil Nuits d’Ivresses reported by Putnam Weekley in his recent column, Joe Dressner: Antistylist, the wines of LDM - Louis/Dressner are starting to reappear in Michigan. We knew some of these well at Gang Central before the supply was shut off a few years back, and have missed them in the interim, so we wasted no time in trying the first batch of new arrivals, and have been quite pleased with what we’ve tasted. In the course of putting this report together, I reread Mr. Weekley's further ruminations on Louis/Dressner, presented in two of his weekly [pun intended] Cloverleaf newsletters, and felt strongly that they deserved inclusion here.   Therefore, we offer team coverage, with Putnam's commentary highlighted in burgundy and my tasting notes in black.

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Almost every wine enterprise pays lip service to one or more of the following quality factors: wild yeasts, hand harvesting, low yields, natural viticulture, minimal chaptalization, non-filtration, non-interventionist winemaking, and quality control. Louis/Dressner is the only wine importer that rigidly adheres to these principles.

I remember once asking Joe Dressner why he didn’t import a Chablis. The answer was simple. There are only two growers in Chablis who harvest by hand, Vincent Dauvissat and François Raveneau, and they already have representation.
Since Louis/Dressner only handles hand-harvested wine, there could be no Chablis in the portfolio. Joe seemed to regret this self-imposed constraint; no doubt he loves Chablis as much as I do.

Why harvest by hand? Why adhere to these costly, strict production standards? Because they make better, more interesting, more healthy wine. And for whatever odd reason, Louis/Dressner wines are priced absurdly low. They are unsurpassed in terms of QPR value.
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Lunau-Papin Muscadet Sèvre & Maine Sur Lie Le L d’Or2002 Luneau-Papin Muscadet Sèvre & Maine Sur Lie Le L d’Or, $14.45 – 17, 12% alc. Find this wine: Medium straw color, with an intense core of under ripe green apple, a little quince, wet stones and rain water; good weight, excellent cut and a long finish. Very impressive already, and based on a delicious ’93 tasted about a year and a half ago, this should age well to its 10th birthday and beyond. Not your average Muscadet, and indeed, as concentrated as (if not more so than) any we’ve had the pleasure to enjoy.

2002 Mas des Chimères Coteaux du Languedoc, $15.20, 14% alc. Find this wine: An old favorite from the early days of the Gang, and if it’s a bit more expensive than it used to be, (a.) what isn’t, and (b.) it’s still well worth the price tag. Ruby dark garnet from rim to rim, with a perfumed bouquet of black plum, blackberry, black cherry and a subtle note of sweet spice that carries over into the big, rich flavors with a solid earthy core. Showing considerable structure, a long lingering finish and just a little heat, this is a bit rough around the edges, but it has such an abundance of fruit, it’s almost impossible not to cozy up to already. Three to five years should smooth things out, and we’re happy to have this back. Now, if only we can get a steady supply of another old friend from LDM, the mouth-watering Château d’Oupia Minervois.

Catherine & Pierre Breton Bourghueil Les Galichets2003 Catherine & Pierre Breton Bourgueil Les Galichets, $17 – 20, 12% alc. Find this wine: Ruby dark garnet, with a bit of the barnyard over red and black currants and berries on the nose when first poured; the barnyard blows off fairly quickly to reveal a pretty floral character underneath. Showing a solid earthy core of black currant, blackberry and a hint of blueberry shaded with a subtle herbaceous note, this has real heft, a good dose of tannins and a long finish. It gets prettier and prettier as it opens, but is still a young wine that will benefit from some years in the cellar. This and the following two Bourgueil selections from the Bretons are like night and day when compared to the lighter, middleweight bottling from Kermit Lynch that we enjoyed in July.

2002 Catherine & Pierre Breton Bourgueil Clos Senechal, $18.70 – 22, 11.7% alc. Find this wine: Dark garnet, with characteristics reminiscent of earthy red and black currants, herbaceous undertones and hints of anise and underbrush as it opens. Medium full bodied, with excellent structure, tannins to burn for some years yet, and a nice finish. Doesn’t have the floral note that the Les Galechets does, but that’s not a criticism; I like this a lot for exactly what it is.

2003 Catherine & Pierre Breton Bourgueil Nuits d’Ivresse, $22.95 – $27, 12% alc. Find this wine: Dark garnet color from rim to rim, with a tight nose at first, showing earthy black currant and a little Kiwi Black Shoe Polish; notes of raspberry, blueberry and hints of leather and forest floor emerge as it opens with air. Flavors echo on a medium full bodied frame, making for another pretty substantial Breton Bourgueil with excellent structure and a nice finish. Like the other two, this benefits from some time in a decanter before drinking, and while it will improve with several years in the cellar, it’s downright drinkable right now. ”Nuits d'Ivresse, or ‘The Drunken Nights,’ is from a selection of fruit that is vinified completely without the use of any sulfur, according to the vinification principals outlined by the late Jules Chauvet. There is a tiny amount added before the bottling to keep the wine stable in shipping, but it is so minimal as to be undetectable in testing.” – from the Louis/Dressner website

Catherine & Pierre Breton Chinon Beaumont2003 Catherine & Pierre Breton Chinon Beaumont, $17.85 – 21, 12% alc. Find this wine: As much as I like the three Bourgueils, this dark garnet colored Cabernet Franc is my favorite of this foursome from the Bretons. Initially, it gives up earthy, briary, brambly black currant, blackberry and blueberry flavors and aromas, with excellent structure and good heft and presence; the earth and underbrush linger longest on the finish. The rich fruit and deep earthy qualities provide an interesting, almost startling contrast, but as it opens dramatically in the glass, a good hit of leather, some cola – root beer and even a hint of mahogany emerge, adding interest and complexity. If two hours in a decanter makes this much difference, what will some years in the cellar do for it? It’s a more muscular, extracted Cabernet Franc than those from Charles Joguet that we like so well, and Putnam and I agree that it will age effortlessly through 2013 and beyond. From 50 year old vines grown on clay and limestone.
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James Laube of the Wine Spectator once wrote a column (July 31, 2003) explaining that Chardonnay is great because it is the ultimate “winemaker’s wine.” He pointed out that Chardonnay grows easily in different climates. It also makes a good, neutral base for flavor-enhancing intervention: barrel fermenting, new oak aging, lees contact, malolactic fermentation, non-malolactic fermentation, tropical fruit flavored yeast esters, acidification, sweetening – you name it. Chardonnay is the most nipped and tucked grape in the world.

James Laube celebrates this state of affairs. I find it unfortunate.

Sure, Chardonnay fruit graciously accommodates winemaking cosmetology. Somehow, no matter how witlessly Chardonnay is brought into being as a wine, it manages to taste – well – decent, but this is not something to be encouraged. Personally, I crave designer Chardonnay about as much as I crave designer food. The ultimate winemaker’s wine is also the ultimate winemaker’s ego’s wine.

Taste, like all ecstatic emotions, can only proceed without ego.


California wine, especially from Napa Valley, may be marinated in ego, but so are wines from vast swaths of territory around the world, including much of France. Negotiant Chardonnay from names like Labore-Roi, Mommessin and Louis Latour – as well as a bewildering array of stealth labels – are just as manufactured as Napa’s Sterling, for example. (Sterling wine: “a signature style that is easy to recognize and to enjoy.” –emphasis added.)

But there are at least two Chardonnays that taste like pure, angelic CHARDONNAY – 100% ego free. Sadly, many wine drinkers have never tasted such wine.

The Thevenet family’s 2002 Domaine de Roally is similar to what you get when you fly to Paris, take a train to Beaune, find a typical lunch bar and order a pitcher of the house white – only better. It is similar in that it is practically racked straight from the fermenter and into your goblet, complete with a shimmer of dissolved gas, a dreamy haze yellow color and a charming, succulent, fruit fleshiness; nothing was filtered from it. It is better because it comes from a vineyard that ought to be recognized officially as a grand cru.


What makes Roally so special? For one thing it is an agricultural treasure trove. Only in the low-rent Mâcon region can a grower like (Gauthier) Thevenet afford, and only afford, to replant a vineyard from its own biofact of ancient, mutated Chardonnay vine organisms.

Why is this important? In case you haven’t heard, wine is being standardized. Once upon a time there was an imponderably complex soup of wild yeast and informally selected vines that made the wines we drink. Elite growers customized their efforts to a single, unique plot, each conforming to local constraints and innovating with local materials. This diversity gave us the broad array of wine we know today.

Now we see the dominance of a limited selection of yeasts from laboratories and vine clones from centralized nurseries. Heirloom vine clones and wild yeasts are displaced by a one-size-fits-all handful of super clones and lab strains, optimized for tangible yield and vigor more than for taste.

After all, according to Mr. Laube, taste can be added to wine, especially Chardonnay wine.


Domaine de Roally is a relic. It comes from a piece of land not canonized by Charlemagne, yet it is made as if for Charlemagne. The vineyard of Roally is a crazy mix of its own indigenous vine population, cut and replanted by generations of human custodians. That makes the wine itself unique, impossible to copy. Roally is a living record of what has thrilled the human race about Chardonnay for centuries.

Domaine de Roally Mâcon-Montbellet2002 Domaine de Roally Mâcon-Montbellet, $19.55 – 23, 13.5% alc. Find this wine: We’ve had one other wine from Roally, and loved it, so this is a proverbial no – brainer for us. Medium straw color, with beeswax – honeycomb, chalky wet stones, golden delicious apple and lemon flavors and aromas; medium full bodied, with good weight, excellent acidity and a nice finish. A solid core of rich fruit blends seamlessly with the considerable minerality, giving a wine that’s already a pleasure to drink, and yet boding well for three to five years of aging and development, and we’ve bought more for both options. “The northern Mâconnais ripens later than Pouilly-Fuissé and the Chardonnay plants from Goyard and Thévenet are somehow different. -- there are no clonal selections. Goyard always used masale selections and cuttings from old vines when he planted. As did the generation before him and the generation before that. There is an evolved, mutated and complex vine population that you find nowhere else and that is beautifully expressed in the bottle. This is not simply great Mâcon. This is classic, great White Burgundy. Grand Cru in intent and performance, if not in name.” – Joe Dressner

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No more prevaricating. I must be objective: Jean Manciat’s 2004 Chardonnay is the best Chardonnay Cloverleaf sells for less than $20. That’s not to say everyone will like it the same. It took me two bottles over three days, and a BLT sandwich, before I realized its insidious charm.

Hand-harvested and completely un-oaked, it is hard to imagine a better food wine. Racy, lemon flavored acidity advertises the wine’s youth and freshness. A classically “nutty” interior can be detected as well, though I suspect some readers have been abused by that term as it relates to any number of industrial Chardonnay concoctions on the market. No, this is the real stuff.


This is what Chardonnay is actually supposed to taste like, not merely what it can be exploited to taste like.

Jean Manciat Mâcon-Charnay Franclieu2004 Jean Manciat Mâcon-Charnay Franclieu, $11.90 – 14, 13% alc. Find this wine: Unlike our colleague Putnam, we warmed up to this little number from the first glass we poured. Medium straw color, with an attractive green apple, lime, mineral and rainwater nose; the big, rich flavors echo and expand, being medium full bodied, with excellent cut and a nice finish. As it opens, the minerality continues to come to the fore on the nose, and while this is nice now for its youthful exuberance, it’ll be much better with at least a few years in the cellar to round it out a bit. “Manciat has a passion for wines fermented and aged in oak
barrels, and uses a fair amount of new wood for his Vieilles Vignes cuvée and his miniscule production of Saint-Véran. But the Mâcon-Charnay Franclieu featured here is made in stainless-steel vats, to express the fruity, floral aromas and flinty minerality that characterize the best Chardonnay in the region.” – from the Louis/Dressner website.

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Quinto do Infantado Ruby Port NVFinally, we would be remiss in not mentioning Louis/Dressner’s Quinto do Infantado Ruby Port NV, Find this wine a delicious, semi – sweet after – dinner libation. We went through more than a few bottles of this fine stuff at Adams – Heritier and Associates during August, but never bothered to take any formal notes, we simply sipped and enjoyed. Quinto do Infantado is a Portuguese winery that grows its own grapes and makes all of its own wines (Vintage Port through basic Ruby) from Class A vineyards, as opposed to large shipping companies that buy grapes and make Ruby Port from Class E and F vineyards (click here for a more complete explanation of these variables), and the difference between the two in quality is remarkable. This ruby colored porto is medium full bodied, silky smooth and redolent with luscious plummy black cherry flavors and aromas. Despite the 19.5% alcohol content, it avoids any excess heat, and is anything but syrupy. This is now our house port, and we recommend that tasters exercise some restraint, because it’s way too easy to pour a second and third helping, although that’s fine too, if it’s not a school night. 

Reporting from Day-twah,

Bastardo


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Red Rhônes sans Red Wings

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© George Heritier September 2005