Bastardo

By George Heritier




 

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e got the Cloverleaf Newsletter a few weeks back, and were intrigued by the following from Putnam Weekley:

"Brother Tom Natoci returned from Mendoza Argentina this week. Deep into the South American continent for 10 days he went with Julie. Tom returned from his travels with a batch of red wines that are clearly bound for fame: Bodegas Salentein (not “Saltine” silly – “sal-EN-tine”)

Michel Rolland had his hand in these. That much is clear immediately after letting one cascade like velvet into a glass while it conjures perfumes of the Orient. Rolland invented opaque, purple, voluptuous red wine. Much of his work sells for over $100 a bottle. These are like better, boutique versions of his Clos (de los) Siete (still the #1 selling wine of 2005). "Boutique” in Argentina apparently does not come at a premium as these Salentein wines match the going price for Clos Siete, which recently took a jump from $15. Take your pick from varietal Malbec, Cabernet Sauvignon or Merlot for $18.

What do you get for the extra couple of bucks? More drama, jammier fruit. These wines ooze bitter chocolate and blackberry compote flavors.

So they’re “heavy” right?

Nope. They taste like blockbuster classed growth
Bordeaux. If they were blockbuster classed growth Bordeaux they would have to sell for $50-$70."

 

Salentein Lineup

Salentein Lineup

Salentein Lineup

I was at work on the day that the newsletter came, but Kim and our friend Sharlou ran right out and brought back bottles of the Malbec and Merlot. When I got home, we tried both and were most impressed (Kim said that Tom had a worried look on his face when she took them to the counter; knowing our tastes, he wasn’t at all sure that we’d like these, but I guess we’re full of surprises.)

And speaking of surprises, imagine mine when I realized that I had these wines on the very shelves of the retail wine department that I'd only recently taken charge of! What’s more, I had two vintages of the Malbec, so I brought all four home, and we tried them again, one on one, over consecutive evenings. I don’t know about “blockbuster classed growth Bordeaux,” but these are certainly solid wines that perform very well at the prices listed.

2001 Salentein Mendoza Malbec, $18 – 19, 13.5% alc.: Ruby dark garnet, fading to pink at the rim; flavors and aromas show a bit of the barnyard and a kiss of sweet oak over black currant and blackberry, shaded with a hint of smoke and undertones of leather, tobacco and vegetal forest floor. There’s an earthy core of rich fruit here, and the wine shows none of the “plump” character of the ’03 Clos de los Siete; rather, it’s nicely structured and balanced, finishing fairly long, and making for a pleasurable glass of wine already, with the promise of at least a few years improvement down the road.

2002 Salentein Mendoza Malbec, $18 – 19, 14.5% alc.: Inky garnet in color, noticeably darker than the ’01, with a rich core of red and black currants and berries accented with some animal fur, earth, tar, a little underbrush and a note of chocolate; it shows more weight than the previous vintage, but again, stops short of the plumpness of the Clos de los Siete. Very smooth and lush, with deceptive structure, it opens quickly in the glass, becoming ever more harmonious, and like the ’01, shows promise for future development. I actually preferred the earlier model slightly; that one’s a little leaner, and comes off with a more honest personality (meaning it may have been a little less manipulated, or it may have simply been a slightly less productive vintage, although you couldn’t tell that from the following two selections).

2001 Salentein Mendoza Merlot, $18 – 19, 14.5% alc.: A deep dark garnet, fading to pink at the rim; not much nose at first, but the deep, muscular flavors feature a big smooch of oak over deep, dark berries and black currants, along with undertones of coffee and dark chocolate. Aromatics emerge slowly, echoing the flavors for a change, with an increasingly dominant note of sea air. Medium full to full bodied, with impressive concentration and structure, promising at least a few years of improvement, yet drinking very well already, finishing with good length, and if it’s not overly complex, what’s here is solid. Like all of the Salenteins, we tasted this thrice, with pretty consistent impressions; however, Kim was a little put off with the well – oaked nature of this one on the second go – round, and when we opened the third a week or so afterwards, I got a similar impression. It’d be interesting to see what a few years in the cellar would do to this.

2001 Salentein Mendoza Cabernet Sauvignon, $18 – 19, 14% alc.: My favorite of these offerings from Salentein, this deep, dark garnet is a lean, mean claret machine, giving up a big, rich black currant and blackberry nose, with undertones of spicy sweet oak. It shows pure, rich Cabernet character, and as it opens, a note of cedar and hints of wood smoke emerge to add complexity and interest. Sleek, smooth, medium full to full bodied, with deceptive structure that bodes well for aging and development, and a long lovely finish, this is enjoyable now for its concentration and intensity, rather than the complexity that’s sure to develop with some time in the cellar. Tasted along side the Merlot, this is noticeably less overtly oaked than that wine, and indeed, it’s the one that I’ll lay down for a few years.

Salentein Wines imported by The San Francisco Wine Exchange, The San Francisco, CA

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We've driven by the old Picchetti place a few times on our way up to Ridge Vineyards and recently we got the opportunity to see what some of the wines were all about.

2002 Picchetti Mendocino Merlot Yorkville Highlands, $23.99, 14.2% alc.: Ruby garnet in color, this gives up a somewhat noncommittal nose of a little sweet oak, some red berries and currants and a hint of rotting vegetation that dissipates quickly. It’s something else in the mouth however, taking on a ripe, not – quite – candied character on a medium full bodied frame, showing plenty of red currant, raspberry and black cherry over an earthy base. Some moderate tannins should take this safely down the road for at least a few years, and some air definitely helps it now. The fruit is a bit sweeter than I usually care for, but I’ll be damned if I don’t like it anyway, since the earthy tannins provide the bass notes to anchor the wine solidly. With swirlatude, the aromatics gradually emerge to catch up with the flavors, all with just the right kiss of sweet oak. Good wine here, at a fair price, with enough going on for it to rise above the sea of insipid, wimpy Merlot coming out of California these days.

1999 Picchetti Alexander Valley Cabernet Sauvignon1999 Picchetti Alexander Valley Cabernet Sauvignon, $39.99, 14.1% alc.: Dark garnet from rim to rim, with a fair amount of sweet oak and cinnamon dominating the dark cherry – berry aromatics; things even out a little more on the palate, with black currants and berries coming to the fore, while the spicy wood plays a supporting role. Flavors show earthy undertones as well, with good structure and a fairly long finish. The oak gives the impression of being American in origin, and is stylistically somewhat reminiscent of the better – known neighbor further up the road on Monte Bello Ridge, if not so adroitly handled (this one also gives a hint of sour milk, an obvious oak by – product, which I’ve never detected in any Mr. Ridge). The deep, dark Cabernet character comes out more and more as the wine opens with air, with the oak receding in the flavors, and it becomes increasingly obvious that, while it continually improves, it’s nowhere near its optimum drinking window. All in all, there are more positives than negatives here, and I’d like to taste this again on its 10th birthday to see how it’s coming along and how well the oak integrates, but it’s a little overpriced for what’s in the bottle, IMO.

2000 Picchetti California Red Table Wine “Pavone,” $23.99, 14.1% alc.: Ruby dark garnet in color, with effusive sweet oak and sweet spice aromatics that are almost, but not quite menthol – like, over a variety of red currants, berries and cherries; flavors resonate and expand sans menthol on a medium full bodied frame, with some subtle brambly undertones, medium tannins, good acids and a fairly long finish. More oak than I care for at this point, but with substantial air, the rich fruit steps forth to assert itself over the retreating wood, so decant this for a spell, or sit on some for a few years, and decant it to allow the stink to blow off.  "Primarily a blend of Cabernet Sauvignon and Merlot."

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A few months back, my friend Steve Kolody gave me a sample bottle of Merlot from a Napa producer I’d heard little of up until that time, Hall Wines. I’m not a Merlot kinda guy, but I’ll be damned if I didn’t like the wine just fine. I was particularly impressed with the fact that it showed excellent balance; it was neither wimpy, insipid garbage from overcropped vines, nor was it an overoaked fruit bomb.

Not long afterwards, I happened upon the Hall table at a trade tasting, and had a pleasant chat with Director of Sales and Marketing Diane Cline, while tasting through the Sauvignon Blanc, Merlot and Cabernet Sauvignon, and again I was quite impressed with the wines. I decided then and there that they deserved further exploration, so we procured more samples of each with the help of Mr. Kolody, and here’s what we found:

2002 Hall Napa Merlot, 94% Merlot, 6% Cabernet Sauvignon, $28.99, 14.7% alc.: Ruby dark garnet in color, showing a modest kiss of oak over red and black currants on both the nose and palate, along with some cherry vanilla and a little dusty cocoa; rich, but not ripe, it’s anchored with subtle earthy undertones and at least two or three years worth of tannins. It has that claret – like character that I find so appealing, and with air, the tannins and acids tone down nicely, making for a very nice glass of wine for tonight’s drinking pleasure. The wine saw 20 months in French oak, 50% new; 2,631 cases produced.

2002 Hall Napa Cabernet Sauvignon, 94% Cabernet Sauvignon, 6% Merlot, $38.99, 14.6% alc.: Dark garnet, with a kiss of oak over black currants and berries on the nose, and plenty more of everything in the mouth; rich and expressive, while maintaining that claret – like character that first caught my fancy with the Merlot, and a note of cherry vanilla adds an attractive compliment to the core flavors and aromas. Very smooth and easy to enjoy already, this has ample structure to improve over the next three to five years. The wine saw 20 months in French oak, 50% new; 2,129 cases produced.

2003 Hall Napa Sauvignon BlancOK, so the next one isn’t even red, much less something that could be described as “claret;” it’s included here for the sake of continuity with regard to Hall, and quite simply, because it's real good.

2003 Hall Napa Sauvignon Blanc, $20.99, 13.7% alc.: Medium straw with a tinge of lime to the color, with bright, creamy apple, pear, grapefruit and fig flavors and aromas; ripe, but not over ripe, with excellent cut, concentration and length, as well as subtle undertones of minerality. It saw no oak, and displays a pure Sauvignon personality, making it a worthy contender to join the likes of Groth and Schweiger as my favorites from Napa

There’s a much more complete rundown on Craig and (former U.S. Ambassador to Austria) Kathryn Hall’s ambitious winery undertaking at their website than I have room to give here, so pay it a visit, and consider these notes as a testament to the quality of the wines themselves.
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2001 White Rock Vineyards Napa Valley ClaretFinally, we got a chance to sample something new from another winery I've never heard of as I was finalizing this report, and it is very nice indeed; many thanks to Pete Boschian for this one.

2001 White Rock Vineyards Napa Valley Claret; 72% Cabernet Sauvignon, 16% Cabernet Franc, 9% Merlot, 3% Petite Verdot, $44, 13.9% alc.: I only got one glass of this dark garnet colored Bordeaux blend, but I was hooked from the get – go; true to its name, it has a smooth, lovely claret character, showing flavors and aromas of red and black currants and a little black cherry, shaded with some tobacco in the background and just the right dose of sweet oak to compliment, rather that dominate the fruit. More tobacco emerges as it opens in the glass, and the wine shows moderate tannins and good length on the finish. As nice a wine, and as pleasant a surprise as I’ve come across in a while; you can have your Insignia, I’ll take a wine like this in its place any day, for a lot less money.   

Reporting from Day-twah,

Bastardo


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6 from Thackrey

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© George Heritier December 2005