By Putnam Weekley

 

 


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"We make natural wines just with grapes,'' Mr. Brignot said. "They are better for people, and they taste better, too.'' **

Have you ever read a wine tasting note? They can be fun. I remember trying to track down wines I read about and attempting to discern “oodles of cassis” and “caramel, white peaches and honey.” Somehow wine never tasted just like wine. Good wines weren’t “strong” or “alcoholic”, they had “expansive aromas”; they weren’t “tannic”, they were “tightly knit”. 

After reading so many of them, it now seems these descriptions promise too much and fail to explain what really distinguishes a given wine. This sales-floor jargon homogenizes wine, fitting everything neatly (and impossibly) into a small repertoire of suggestive verbiage. Industrial grade filler is thereby implicitly equated with magical freaks of local nature. 

Wine – real wine anyway – isn’t made in a factory. Detailed sensory data (no matter how earnestly expressed) won’t explain it. Every bottle of real wine is a unique experience belonging to its time and place – to the food flavors and company that surround it. It’s better to know who made it, how skilled they are and whether their heart is in the right place than to know if it “has flavors of” creosote or raspberry jam. 

This week I’d like to focus on five new wines. I am unwilling to lump them in with the “oodles” and “expansive” wine crowd, though eventually some pundit will surely apply that yardstick to them. Undoubtedly they will rate very high (I have provided my own ratings for the numerocentric folks). 

Instead, please indulge me as I get a little personal about these sensational wines. I’ve lived with them for several weeks now and hope to continue doing so. I look forward to hearing about your own experiences with them, and for Pete’s sake, don’t worry about using the “right” words! 

Jean-Marc Brignot, Les Mouches ont Pied (Fly’s Have Feet), <$27 Find this wine
1000 points. Drink this year. Why not?
    
Jean-Marc Brignot, Les Mouches ont PiedMy first taste of this wine was in a fairly sterile setting: in front of a computer keypad. It smelled precisely like Lambic beer or Normandy cider (Mr. Brignot is a native of Normandy), though not as intense as either. A taste revealed surprisingly low acidity considering the aromas, though it was fresh tasting. The color was like a deep straw, tan and yellow with foggy, fine sediment. It transformed with repeated slurping – and increasing temperature – from a light, racy, funky white into silky, almost medium-bodied richness with flavors of fat, bitter, sweet, raw macadamia nuts, baked yellow apples, fresh yellow apples and nutmeg.
    
I was intrigued.

    
Then the heat wave came. On Tuesday I drank a hastily assembled gazpacho with almonds, live apple cider vinegar, ice cubes, garden fresh garlic, de-crusted baguette, tomato puree and enough water to make it all get around in the blender. Anne came home later in time for the remains of the soup and most of the second bottle of wine (the first one mysteriously disappeared!)
    
I suspect the warm temperature in the room played a role, but the wine was not nearly as lean and dry as I initially thought. Despite its many transparent dry layers, it hid an enchanting viscosity and sweetness. It was like the freshest possible apple pie in a dream.
    
If one word were to sum up Fly’s Have Feet for me it would be "tenderness" – the acids are tender and yielding, the fruit is soft and mouth-melting, the aromas are even tender, like the downy bloom on a fresh autumn mountain pastured cheese.
    
As for the true wine torture test – a second floor apartment in Detroit on a record high temperature August 1 with no AC – miraculously, it drained quickly at a variety of temperatures.
    
And then there were the nut flavors.
    
For the fifth straight day I enjoyed a bottle of Fly’s Have Feet, this time it was with Tom Natoci. Playing the “I spy” tasting note game, Tom burst out with a revelation of “pistachios”. I was already on record for macadamias. The point is: they're good. My guess is this nuttiness comes from the distinctive wild yeasts of the Arbois, which, as Eric Asimov reports in a recent New York Times, some compare to the wild cultures responsible for Manzanilla and Amontillado in Spain.

Antoine Arena, 2005 Patrimonio Blanc, Grotte di Sole, <$35 Find this wine
991 points. Drink from 2006 to 2005.
    
Antoine Arena, 2005 Patrimonio Blanc, Grotte di SoleI learned that grotte means "cave" and shares its etymology with the English word "grotto" as well as "crypt". Guessing at the other word roots, I'd say the name of this wine means 'sun cave' or something like that. Anyway, it's a pleasant image. I'll keep it.
    
I enjoyed this wine as a stand-alone refreshment on Monday, sharing it with my pal Craig. When we weren't talking about retail margins and swimming pools in Florida, we discussed how amusing dogs are in hot weather, especially when they drink water like sloppy reverse fire hoses. On a prior occasion I shared the same wine with a glad group at the award-winning Hong Hua on Orchard Lake Road with scallops and shrimp. (Hong Hua is sold out of this particular selection now, but they have many other fine wines on their list.)
    
This was a very thick-textured glass of white wine, round shaped. Apples, pears and green fig flavors seemed lifted by sweet lime oils. Intense chalk flavors bound the fruit to ripe, nutty grape seed bitterness and fresh acidity. There was no sign of wood flavor. It was pale in color. I don't see why this can't be compared value-wise to 1er cru Beaune wine, except that its character reminds me more of rare voluptuous Loire Chenins like Marc Angeli's 2004 La Lune, or single vineyard Huet Vouvrays with an imaginary loosened grip of mineral and green fruit resin.
    
The grape variety is Vermentino, also significantly planted in Spain and Sardinia. I have been ignorant of Vermentino most of my 10-year career in the wine business. No longer!

Antoine Arena, 2004 Patrimonio Rouge, Carco, <$39 Find this wine
996 points. Drink from 2006 to 2026.

I have learned it is enormously helpful to allow these young Corsican red wines to air out. They are better the second day. The first day they can resemble extremely tannic Amarone. The next day they sing their own music.    

I have learned that maquis is a word used in Corsica for 1) a wild, dense native growth of herb and brush, 2) the grass-roots -- or is it maquis-roots -- resistance to fascism in WWII, later fictionalized in the Star Trek series and 3) a distinctive perfume found in the best Corsican red wines.     

Apparently, earlier incarnations of this wine were light and gulpable. One source described it as a vin de soif (wine of thirst). At 14% alcohol and utterly opaque color, not to mention the tannins, it would appear this is no longer the case.
    
I do not know what "carco" means.
    
 I consumed one bottle over the course of 24 hours while waiting for an important phone call.
    
This pure, black expression of Sangiovese fruit defies my feeble linguistic ability to describe it. I want to go on and on about "liqueur" -- cassis, kirsch, plum, raspberry, etc. -- but this has become a useless tasting note cliché, the "special" feature of international style factory wines from Australia to Italy, from Vitiano to Allegrini Amarone. Too many wines that are proclaimed to possess "liqueur" qualities are really just alcoholic and sweet.
    
Freshness and intensity of fruit is what is promised by the "liqueur" descriptor, and this glass of wine has it. It is a seeping, pitch-black sensation with towering walls of pure purple and blue fruit to the horizon.
    
And then there are the tannins.
    
These are Sangiovese tannins: dry and dusty. There are a lot of them too, as much or more than anything I've ever tasted from Tuscany (like Avvoltore, any variety of top Brunellos, or anything from Umbria). As I chew them they release a storm of little raspberry acid flavored curly cues, like a hundred tiny sequences of the wine in miniature.
    
I believe this wine tastes of maquis too. I imagine that to be a sort of cool, anise and mushroom infused version of garrigue, but I could be wrong.

Antoine Arena, 2005 Patrimonio Rouge, Grotte di Sole, <$35 Find this wine
988 points. Drink from 2006 to 2016.
    
Antoine Arena, 2005 Patrimonio Rouge, Grotte di SoleWhat is this stuff? I mean, what is it?
    
Answer: Nielluccio.
    
That’s what they call Sangiovese in Corsica. Sangiovese means "blood of Jupiter". I don't know what Nielluccio means other than "Sangiovese".
    
Polaner likes it. Kermit Lynch sells it on the west coast. Unlike any other Sangiovese I've ever drunk (I love good Sangiovese) this wine actually lives up to the image of blood suggested by its Italian synonym. Those who have had ripe bottles of Sang des Cailloux (French for Blood of the
Stones), you know what I'm talking about (it really is a pleasant, iron-rich flavor).
    
This is thick, dark and chewy and embarrassingly sweet. Tarry fruit tannins force a rough balance with no help from oak flavor. I think of this as if it were a port of Brunello -- if Brunello growers could afford to pull it off, this is what it might taste like. Undeniably minerally, though covered with sticky, black resin, iodine, seaweed, iron, desiccated French plums, oozing fresh figs...
    
I served this at home on Sunday with salted, rinsed and hardwood-charcoal-grilled summer squash and sausages from Michigan’s own Suchman hog farm. Anne reacted approvingly, but then again, she adores intense, ripe, integrated tannins, or should I say “tight knitting”.
    
Oh yeah, this wine has a decent amount of dissolved gas in it. If this annoys you, just shake the bottle before pouring.

Antoine Arena, “2004” Blanc, Carco, <$39 Find this wine
993 points. Drink from 2006 to 2021.
    
Antoine Arena, “2004” Blanc, CarcoFor some reason Antoine Arena had to declassify his Carco Blanc in 2004 to "Vin de Table" -- no "Patrimonio" appellation, no vintage date. The only way we know it is a 2004 is the cheating little "lot number" on the bottom of the label: L 2004. Like the Grotte di Sole Blanc, this is 100% Vermentino (unless it isn't).
    
Why was it declassified? Who knows? I'm beginning to think France is ripe for a wine revolution. Damn the INAO!
    
I am enjoying this wine in the form of a live webcast. That’s right, as you read these notes I am enjoying several glasses of this wine with a variety of gazpachos given to me by Cloverleaf Newsletter readers. This one has shrimp in it; yum. This one has almonds and grapes; bueno!
    
The color is straw and clear with a shimmer of trapped gas. Aromas of salted roasted nuts give some indication of the extreme ripeness of the wine. It declares 14% alcohol on the label. Interior raw wood aromas remind me of stinking great teenage Vouvray from Foreau or Huet or vigorous Savennieres (a phenomenon I believe comes from something other than wood barrels). Maybe it’s a stone/mineral thing. Lots of plump, sweet (alcohol) fruit flavor in the vicinity of green bananas and mushy ripe pears. Throw in some preserved lemons and oranges, maybe a little mint. These are punctuated with fennel and sweet herb flavors.
    
The slight prickle begins to annoy me a little so I wedge the cork back in the bottle and shake it. It then shoots out and hits the ceiling. Wine gushes out of the bottleneck. I begin to wonder if this was the right thing to do. Out of a feeling of deep insecurity I smell the cork. It smells like good, clean cork.
    
Is it possible the “glycerin” in this wine concealed what turned out to be a serious amount of bubbles?
    
What else would I like to have with this wine? It is viscous yet durably structured. How about something in a cream sauce? Use fennel and it would be in tune.
    
Blis Jalapeno TunaLately I've been exploring the potential of wines that contrast rather than mimic food pairings. What about pairing this with Blis Jalapeno Tuna out of a can? Let's try it.
      
(Minutes later …)
    
Oh yeah. Wait till I tell Anne.
    
Later!

** Quoted from THE POUR; Surprises From the Jura, Jagged in a Velvet-Smooth Universe By Eric Asimov (NYT) Published: August 2, 2006

 

Previously in Putnam At-Large:

Winetrack: Detroit

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