NV Jean Lallement Champagne Grand Cru --
It is classically creamy, with notes of toast, rust, lemon rind
and ginger. It has a longer finish than the Mailly, but I find
the pink/orange bubbles more appealing.
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Some of our party ordered a chef's degustation menu, but the Vue
was accommodating enough to allow others to order from the basic
menu, and still time the courses pretty well. In general I found
the food good, with attractive presentations... even a
multi-course vegetarian menu was offered for
Loren Sonkin
and
Jane Flaherty.
(Jane, at left, with black truffle risotto and macrobiotic salad
from the chef's vegetarian menu)
We were happy to "handle" our own
wines, as it made issues of timing and "pour size" quite easy.
The restaurant was a fusion of classic and modern design -- the
synthesis of which was well done and appealing. With music
playing for appreciative dancers, the place was quite loud --
making communication at our table fairly difficult. My
ability to employ
semaphore flags seemed lost on the group, but
Roland Riesen
proved skillful at lip reading.
Chardonnay Flight -- I had the blue crab stuffed peppers with
this flight.
2003 Rhys Chardonnay Santa Cruz Mountains -- The nose is
appealing and bright with lemons, grapefruit and chalk... later
I uttered "cold butter," and "cream of wheat." It was pleasantly
light and athletic in its weight and demeanor, though still
offering a smooth, rich mouthfeel. The flavors were bright with
citrus, but also offered an interesting guava note though the
center.
Chambers Weikel
(left)
called it "buttery, but not necessarily oaky."
Beth Weikel
(left)
who along with Chambers, made the trip from Pittsburgh, likened
it to a Sauvignon Blanc, referencing the citrus fruit and tangy
acidity. This is somewhat odd Chardonnay, but I enjoyed it.
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2004 Rhys Chardonnay Santa Cruz Mountains -- There were
two bottles of this wine
poured -- the first decanted for an
hour and returned to the bottle, while the second was opened the
night before, with just a small pour taken, then placed in the
refrigerator. I tasted both. The decanted sample struck me as
more "oaked" featuring lots of toast, char, lanolin and apple
fruit. I believe someone called it more complex than the other
bottle -- if so, I'm happy to be a simple fellow. The
"overnight" bottle spoke more to lemon and lime. There is still
a good dose of charred wood scents and flavors, but less
penetrating than the other bottle. It has nice weight and soft
textures... acids seeming far less apparent than in the 2003
model. It closes with a slash of grapefruit and a long swath of
tutti-frutti.
George and Sherri Chyla
expressed a mutual appreciation of this wine for its deeper
fruit and greater weight than the 2003.
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Rhys/ Alesia Pinot Flight -- I ate a delicious wild mushroom
bisque with this flight.
2004 Alesia Pinot Noir Sonoma Coast -- Of the two bottles
that were initially poured, one was corked, but there was a
third bottle on hand --
George Oryshkewych
was well prepared. I found the nose lightly candied and offering
both black and red fruits. With some time it expressed more
earth tones/forest floor fragrances, but it was still dominated
by the different faces of cherry. It seemed quite ripe and mouth
filling when sipped, but showing reasonable balance in fruit to
structure. Tannins clip the wine slightly, but all and all a
nice wine.
Adam Friend
called it a "people pleaser" and the "most ready" in the flight
-- no argument from me.
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2004 Alesia Pinot Noir Kanzler Vineyard --There was a
consensus that one bottle showed more brett (brettomyocenes)
than did the other. I gave it a sniff, and did not find it
especially problematic (especially with some air time), but
there was a clear difference in the two bottles. I drank from
the "clean" bottle. Who put the Snickers bar in my glass?
Chocolate, caramel, and nuts all wafted up from the bowl...
ripe, dark cherries, too. It is a rich, deep blast of fruit when
sipped, but suffers from some bitterness along the way to a
fairly short finish. Roland Riesen deemed it "too extracted."
Time will probably help this round out, but on this occasion it
seemed a little clumsy.
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2004 Rhys Pinot Noir Home Vineyard San Francisco Bay --
There was a great deal of buzz about this wine, some perhaps
stemming from its very limited availability, but also from the
positive remarks issued by tasters of diverse palate
preferences. It seems lighter in color than the Alesia Pinots
and of an altogether different fashion. Yes, it speaks to some
earth and stones... also a sweet brown sugar note that Beth and
I both seemed to independently perceive -- but largely the nose
is very shy. It offers taut cherry fruit, with chiseled rock
accents, but also a bitter, stemmy finish. I placed the glass
aside and revisited it about an hour and a half later. The
bouquet was quite pretty with its floral high points and dried
porcini essence, but at this point the tannins overwhelmed the
palate, making it seem lean, clipped and hard. It hints at its
transparent nature and perhaps elegant form, so I have an
inclination as to what has been impressive to others, but it
never reached "clarity" this night. It was not hard to
understand how some flatly said "I just do not get it."
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Kosta Browne Kanzler Flight -- with roasted duck breast.
2002 Kosta Browne Pinot Noir Kanzler Vineyard -- This one
was decanted for a few hours. It has a strange
chemical/insecticide scent at the outset, but later moved toward
a more candied cherry and roasted green pepper fragrance -- an
odd combo. Compared to the following wines, the fruit had a
minimal presence and suffered from its battle with drying
tannins and a prickly, warm finish.
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2003 Kosta Browne Pinot Noir Kanzler Vineyard -- It was
rich, ripe and candied on the nose. A real wild child in the
mouth as the alcohol runs amok. It was ripe, fat and sweet, but
devoid of framework. Medicinal and prickly on the finish --
what's not to like? Not much, I gather, as this was easily the
group's favorite wine of the night.
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2004 Kosta Browne Pinot Noir Kanzler Vineyard -- This
vintage featured a more profound warming sensation and lots of
caramel on the nose. Beyond that wrinkle, I found it very
similar to the '03 in its raw materials, but much better formed.
The alcohol is reigned in -- the weight and heat were forced
into a slimming girdle, making it smooth and rich in a much
better way. That said, I'd avoid open flames when sipping this.
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A "mystery bottle" made the rounds... Beth told me I would hate
this one.
2005 AP Vin Pinot Noir Kanzler Vineyard -- The first
thing noticed by many was its screwcap closure. It had a very
meaty and gamy character in the bouquet, but also a
confectionary quality, too. On the nose alone I'd guess Syrah,
but instead it was a "Syrah-lite" Pinot. Standard cherry fruit,
with a slightly stemmy character... bits of charcoal and coffee
through the middle. It showed some silky textures, but really
gritty tannins -- lending it a slightly rustic charm. Of the
Kanzler wines I tried tonight, this was the most interesting.
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Syrah Flight -- with a variety of artisanal cheeses.
2004 Kongsgaard Syrah Hudson Vineyard -- I think I heard
Jane remark on some "burned espresso" -- that was fair. Roasted
would be a kind word to describe the nose, though charred and
burned might be closer to my reality. "Creme brulee" was perhaps
the best of all worlds. This was very extracted, and very full
in the mouth. Black berries and over roasted coffee dominate the
palate, but they were tempered as they rode along the very
creamy textural wave. The tannic crunch took a good grip and was
reluctant to let go. A year or two in cellar would probably help
here.
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2003 Alesia Syrah Sonoma Coast -- "Sweaty gym socks" said
Jane -- now on a roll. I did not get any funk or musty character
at first. Nor did I get any of the classic TCA scents when that
call went up. When I sipped the wine, I could tell it was
corked. There was still some dispute, probably because this was
the amalgamation of two bottles poured into the same decanter.
There were good bits of pretty fruit still working, but as the
minutes went past they lost ground.
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I opened another Pinot, even though I thought it might get lost
in the shuffle.
1997 Rochioli Hirsch Vineyard Pinot Noir -- It is lightly
colored -- transparent in appearance and character. It was
initially funky, with lots of earth, mushroom and wet straw, but
evolved in fragrance and flavor toward what Roland called
"strawberry syrup." High toned scents of rhubarb, cherry blossom
and brown spice... earth and mineral flavor components show with
time. Not heavy, but lithe and precise. Some commented it might
be past its prime. That was contextually understandable, but I
found it charming and elegant -- really nice.
As far as I know, this Hirsch bottling was a one time event for
Rochioli. In the past I have found this bottling rough and
unresolved, but this night's showing reminded me of why I used
to really enjoy California Pinot Noir, and Tom Rochioli's work
in particular.
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Dessert -- just coffee for me.
1999 Chateau Coutet Barsac -- Vinyl shower curtains and
oranges! It lacks some acidic zip, but not bad at all.
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The wines were not especially impressive in this setting. The Rhys/Alesia wines are not made to bowl one
over, and they did not. The Home Ranch Pinot in particular seems
to have fine promise, and even now stands out as unique in a
California Pinot world that too often lacks such a quality. The
others ranged from decent to very good, but none really struck a
chord with me. It was unfortunate to have some TCA tainted and
otherwise flawed bottles in the mix. Many of the night's other
wines seemed "overdone." I found the other attendees to be frank
and fair in the opinions they offered, none seeming especially
taken by the wines, but enjoying the experience all the same.
That in itself is a grand and worthwhile result.
LM